university of chicago press

Do Canadians Think They’re Morally Superior to Everyone Else?

Do Canadians Think They’re Morally Superior to Everyone Else?

Yves Engler's Left, Right: Marching to the Beat of Imperial Canada debunks the myth of Canada the good.

‘Pick Up the Pieces’ Is a Primer in Music as Cultural Memory

‘Pick Up the Pieces’ Is a Primer in Music as Cultural Memory

John Corbett's writing is often poetic in Pick Up the Pieces: Excursions in Seventies Music, with each essay being a resonant reflection on the music, artists, scenes, and memories seemingly etched deeply in his being.

Some of the Most Maligned Tools of Modern Democracy Are Viewed in a New Light in Saaf’s Reissued ‘A Significant Year’

Some of the Most Maligned Tools of Modern Democracy Are Viewed in a New Light in Saaf’s Reissued ‘A Significant Year’

Part diary, part travelogue, and part social science study, Abdallah Saaf's A Significant Year examines Morocco's 2007 elections with a perspective on all modern democracies.

Alistair Bonnett’s ‘Beyond the Map’ Asks, How Shall We Live in a Fragmenting World?

Alistair Bonnett’s ‘Beyond the Map’ Asks, How Shall We Live in a Fragmenting World?

Geography, Bonnett claims in Beyond the Map, is becoming harder to read.

‘We’re Still at War’: Illustrated Stories Testifying to Atrocities, Survival, and the Human Condition

‘We’re Still at War’: Illustrated Stories Testifying to Atrocities, Survival, and the Human Condition

Post Bellum's publishing mission is not simply to isolate testimony from those who suffered but to also shed light on those who worked against the smothering constraints of fascism and totalitarianism.

An Appeal for Balance: ‘Action Versus Contemplation’

An Appeal for Balance: ‘Action Versus Contemplation’

Billions grapple with a frenetic paradigm shift which scuffs lines between a carefree ant's and a diligent grasshopper's domains.

Almost without Art: The Paradox of Aesthetic Communication in the Weimar Republic

Almost without Art: The Paradox of Aesthetic Communication in the Weimar Republic

As Splendor and Misery in the Weimar Republic conveys, Expressionism seems to proclaim, we feel alike; whereas New Objectivity doesn't attempt to express alienation -- it induces it.

Love Your Big Brother: What Orwell’s ‘1984’ Tells Us About 2009