‘Five Years Old Memories’ and Naïve Art in Video Games
Japanese visual artist, Komitsu’s newest work “Five Years Old Memories” is a colorful interactive documentary. It reimagines old CD-ROM software for the digital era.
Japanese visual artist, Komitsu’s newest work “Five Years Old Memories” is a colorful interactive documentary. It reimagines old CD-ROM software for the digital era.
Photographer John Divola’s LAX NAZ series exterior and interior views ooze with useful, fun, and satiating dualism. However, dualism gets messy.
Frida Kahlo speaks from beyond her grave about the institutionalization of art and culture and the dangers posed by intellectuals warming their precious asses.
Chuck D’s style in his three-volume, Covid-era graphic novel STEWdio can be described as neo-expressionistic with images and text often intertwined like Jean-Michael Basquiat’s art.
As there is an art to memoir writing, there is an artfulness to describing the power of the visual arts. Patrick Bringley’s ‘All the Beauty in the World’ is exquisitely rendered.
French artist Jean Giraud, aka Moebius, inspired his peers and mass media. In video games especially, his psychedelic fantasy/surrealist art may live on forever.
Swedish artist Hilma af Klint embraced theosophy and its intent of exploring occult phenomena by uniting spirituality and science.
From satire and portraiture to politicized pop, ¡Printing the Revolution! examines how artists created visually captivating graphics that catalyzed audiences. Enjoy this visually gorgeous excerpt courtesy of The Smithsonian American Art Museum and Princeton University Press.
The Art of Advertising invites us to consider both the intended and unintended messages of the advertisements of the past.
With Similar Canvas, Brooklyn-based experimental quartet JOBS works closely with visual artist Sam King to create a striking single that feeds off another art form.
By turns alarming and awe-inspiring, Jessica Helfand's Face: A Visual Odyssey offers an elaborately illustrated A to Z—from the didactic anthropometry of the late 19th century to the selfie-obsessed zeitgeist of the 21st. Enjoy this excerpt of Face, courtesy of MIT Press.
Mitchell B. Merback exploits the cryptic nature of Albrecht Dürer's Melencolia I in order to encourage deeper speculation into one's self and the manner in which one engages with the world through the oft-misunderstood condition of melancholy.