We Must Not Mean What We Say: On Godard’s ‘Le Petit Soldat’
While philosopher Stanley Cavell endeavors to show that we must mean what we say, Godard’s Bruno Forestier of Le Petit Soldat suggests that we simply cannot and must not mean what we say.
While philosopher Stanley Cavell endeavors to show that we must mean what we say, Godard’s Bruno Forestier of Le Petit Soldat suggests that we simply cannot and must not mean what we say.
The troubled character’s in Claude Chabrol’s The Third Lover, Line of Demarcation, and The Champagne Murders are obsessively doubled and mirrored.
Are fantasies mixed up with memories in Jan Němec's film adaptation of Arnošt Lustig's autobiographical story of surviving WWII, Diamonds of the Night (Démanty noci)? Will these babes forever be in the woods?
Exploring the charms and rituals believed to safeguard WWI soldiers makes A Supernatural War a fascinating read.
In Combat Obscura, a jangled, jarring Afghan War documentary, a Marine Corps cameraman shows the flippant cynicism of combat in ways the military would rather we not think about.
From epic John Ford-type western shots to intimate close-ups, Director Max Martini talks about the filming methods used to convey PTSD in his latest, SGT. Will Gardner.
In this interview with Director Alexandria Bombach centered on her recent documentary about Nadia Murad, On Her Shoulders, she reflects on how we process another's trauma, and how we might be moved beyond simply awareness.
Documentarian Matthew Heineman's debut feature is an inspiring tribute to war correspondent Marie Colvin, who dedicated her life to documenting the human cost of war.
The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.
Troy: Fall of a City tries to attack our racial prejudice but reveals more about our Classical ignorance.
This remembrance of World War I in today's Brexit Britain illuminates the public's ignorance towards the bloody lessons of the past.