‘Wasteland’, or, How We Went From World War I to White Walkers
In Wasteland: The Great War and the Origins of Modern Horror, historian W. Scott Poole exhumes our obsession with the living dead.
In Wasteland: The Great War and the Origins of Modern Horror, historian W. Scott Poole exhumes our obsession with the living dead.
Perhaps, Kenneth Whyte suggests, Hoover was not the failure he is often made out to be, and consequently, FDR is not nearly the success he appears to have been.
While no imitator, Dave McKean shares kindred tastes with Nash and creates a fictionalized memoir and dream journal of Nash's WWI experiences.
The mystery conceit in Michael Haneke’s The White Ribbon acts as a hook and alludes to the larger mystery of wartime conformity and dangerous obedience, which it partly seeks to address.