Afro Celt Sound System End a Chapter with ‘OVA’
With OVA, Afro Celt Sound System’s eighth LP, the long-running story comes to what seems to be its coda with the death of Simon Emmerson last year from cancer.
With OVA, Afro Celt Sound System’s eighth LP, the long-running story comes to what seems to be its coda with the death of Simon Emmerson last year from cancer.
Malian blues duo Amadou & Mariam just dropped a greatest hits album while noting how they’re intrigued by the sounds of Billie Eilish.
Latin alternative artist Manu Chao sings for a better future on his first album in 17 years, Viva Tu. This music is meant to be lived with.
Worldbeat master Baaba Maal’s musical homecoming on Being is not myopic or static but embraces motion through space, time, and sound.
In collaborating with hip indie acts, Amadou & Mariam met with critical rebuke. Ten years on, Folila is a masterpiece that bridges the gap between two sonic worlds.
The common thread on Mother Nature is Angélique Kidjo’s energy, shining through in a voice that never seems to lose strength or agility.
British-Nigerian twin sisters El’Vee bring thrilling Afrobeat textures to UK electronic club music on their latest single, “Balotelli”.
Peter Gabriel’s “I Have the Touch” perfectly captures the agonizing isolation that so many of us have been experiencing throughout the COVID-19 pandemic.
There's a whole lotta love (and maybe a little hate) in the captivating new memoir by Chris Frantz, who is an open book while talking about life with Talking Heads, Tom Tom Club, and wife Tina Weymouth in this candid interview.
On Half Price at 3:30, Art Feynman again proves himself adept at building colorful worlds from unexpected and well-placed aural flourishes.
The electro-gospel choir, Katawa Singers, are legendary in their native Malawi, and the retrospective Ufulu 1991-1997 helps show why.
Evritiki Zygia's Ormenion has a ferocity that speaks to the tenacity of old traditions as well as to a progressive spirit. It's nothing short of hypnotic.