The Smile Prioritize Grace and Restraint on ‘Wall of Eyes’
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
The Smile’s second record jettisons the post-punk energy of their debut in favor of a cohesive statement that’s glacially paced and texturally dense.
King Krule’s Space Heavy is a wild listening experience, more muted and introspective than past outings and seemingly reflecting our pandemic moment.
The Smile aren’t a full-on syncretism of Radiohead and Sons of Kemet, but A Light for Attracting Attention proves that it needn’t be.
Experimental electronic producer Arca returns with a stunning new video for her two latest songs, “Prada” and “Rakata”.
Canadian jazz/hip-hop band BadBadNotGood’s Talk Memory sees them ascend towards more bold and elaborate heights than ever before.
Lyrically and sonically, Smerz’s Believer is a bold, risk-taking LP that charts a wild, uneven ride through trance, classical, R&B, and hip-hop.
Radiohead frontman Thom Yorke's third solo album ANIMA offers relatively peppy music to accompany his unsurprisingly bleak lyrical worldview, but it all works rather wonderfully.
A sensual, gossamer presence among the hovering musical chords, Willis Earl Beal gently presses the wealth of his soul’s burdens into the wide, open skies.