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People Like This? Metallica’s Crossover Contribution to Reaction Videos

People Like This? Metallica’s Crossover Contribution to Reaction Videos

Watching Chris&RheasiaTv’s reaction video to Metallica’s “Master of Puppets” illustrates the power of these crossover connections.

‘Famous People’ Splashes in the Puddle of a Shallow Pop Star

‘Famous People’ Splashes in the Puddle of a Shallow Pop Star

When our protagonist is calm and reflective in Justin Kuritzkes' Famous People, there's a sense of potential intelligence beneath the shiny surface.

Video-idiocy? No, ‘Videocracy’ Celebrates the Bright Side of YouTube Indulgence

Video-idiocy? No, ‘Videocracy’ Celebrates the Bright Side of YouTube Indulgence

Against the constant distaste for and dismay about social media, Videocracy gives readers a series of anecdotes that connect YouTube to the goodness of being human.

Could YouTube Help Bernie Sanders — and Hurt Hillary Clinton?

Could YouTube Help Bernie Sanders — and Hurt Hillary Clinton?

Hillary Clinton may be the Democratic establishment's favorite, but on the Internet, social media users are feelin' the Bern.
Optical Illusions: The Problem with OK Go’s Accidental Legacy

Optical Illusions: The Problem with OK Go’s Accidental Legacy

They started out with great songs. Then they made amazing music videos. Now, their songs serve as soundtracks to viral meme-fodder and little else.
YouTube to Indie Labels: Pay Up or Get Out

YouTube to Indie Labels: Pay Up or Get Out

The press is buzzing about YouTube's threat that it will remove content by labels that do not agree to the terms of its forthcoming subscription-based service. Is this good for YouTube?
Art Is a Lie, Nothing Is Real: An Interview with Bo Burnham

Art Is a Lie, Nothing Is Real: An Interview with Bo Burnham

Bo Burnham’s third standup special was one of his most popular to date. Then he decided to release the entire thing on YouTube for free.

Daley Pearson Gets Some Strange Phone Calls

Daley Pearson Gets Some Strange Phone Calls

Australian writer and director Daley Pearson is funny in all of his creations and conquers every type of comedy he tries.

The Death Knell Sounds Again: The History of Music Industry Whining

Anatomy of a Viral Smash: Bauuer’s ‘Harlem Shake’

In Defense Keeping It Real, and Live

Generation X Wants Its MTV, But It’s a VEVO World Now